Showing posts with label golden era hiphop. Show all posts
Showing posts with label golden era hiphop. Show all posts

LUGERLEX unleashes New Hip hop Album “MONKEY DUST” on the masses

LUGERLEX unleashes New Hip hop Album “MONKEY DUST” on the masses

LUGERLEX unleashes New Hip hop Album “MONKEY DUST” on the masses



Truly, the heartbeat of Hip-Hop throbs its strongest within the underground. Certainly, one may find pulses in the commercial mainstream; however, the aorta of this culture will invariably be in its unchartered: the fringe purists— as well as experimentalists— vowing never to relinquish the true essence of the art. At least, this is what LUGERLEX’s upcoming long-player, “MONKEY DUST”, communicates, being an eleven-track boom-bap pilgrimage into the catacombs of psychedelic rap. You have never heard the unorthodox and conventional so seamlessly blended as you will on this LP. Masterfully, the San Jose, Californian producer marries trippy and off-kilter samples (as well as melodies) with the dirtiest drum loops imaginable, giving birth to a literal acid trip of sound. The guests on this compilation will not save you from its plateaus, either. They are the harbingering hallucinations phasing in and out of the thirty-five minute trip with haunting, inexorable rhymes. Jak Progresso, Labal-S, Leeroy Destroy, LoDeck, C-Rayz Walz, and Boxguts— every emcee featured on this album makes monsters of their creations. They proffer cuts such as “Little Shermaid”, “Nod Skwad”, “Opium Smoke”, “Cid Vicious”, and “Sapo Scripture”; all supremely dark, yet organic Hip-Hop records that will spiral you further down the psychedelic rabbit hole. “MONKEY DUST” is one of those albums you may not have been searching for, but will surely be glad you found. When it does officially drop, everyone will be helplessly addicted to what LUGERLEX and his palette of guests have to offer.



"Monkey Dust" on Bandcamp








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“MONKEY DUST” on Bandcamp

https://bloodymonkconsortium.bandcamp.com/album/monkey-dust



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Oluse makes heads nod on new classic hiphop album "Thorium"

Oluse makes heads nod on new classic hiphop album "Thorium"

Oluse makes heads nod on new classic hiphop album "Thorium"




Close your eyes when you press play and let the ghost of Hiphop past whist you back to the golden era. Hiphop purist, Oluse spits it through his soul over mystic boombap canvases on new 9-track project "Thorium" as he delivers his signature brand of music. His sound is packed with jewels reminiscent of some of hiphop's greats. Enjoy the new album "Thorium" and read more about Oluse in the press release below.



Oluse is a Nigerian-American rapper based in Los Angeles, CA. His latest release is an animated music video for “Boiling Point 4788c,” one of the tracks on his nine-track EP “Thorium.” Oluse credits E-40 and Tupac as his chief musical influences as well as the time he spent traveling abroad experiencing different cultures. You can watch Oluse’s new music video for “Boiling Point 4788c” on YouTube and listen to “Thorium” on all major streaming platforms. Learn more about Oluse on his website: www.Olusemusic.com.




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(Diff)icolt releases deep dark conscious rap song "Downfall"

(Diff)icolt releases deep dark conscious rap song "Downfall"

(Diff)icolt releases deep dark conscious rap song "Downfall"




Listen as rapper, (Diff)icolt "Downfall" hypnotizes with his signature deep voice and cryptic conscious style. Dropping jewels reminiscent of hiphop's golden era the Riverside, CA artist delivers some deep, dark, and disruptive boombap music. Checkout the song "Downfall" today and catch (Diff)icolt on IG.


"Downfall" on Soundcloud

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“What U Talkin Bout” /// Rap group, Hoodlum Squad releases smooth new single

“What U Talkin Bout” /// Rap group, Hoodlum Squad releases smooth new single

“What U Talkin Bout” /// Rap group, Hoodlum Squad releases smooth new single

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Bakersfield, CA rap trio Hoodlum Squad delivers their latest single “What U Talkin Bout” from their recently-released debut album, Season, via Dogsled Music.

The group is currently made up of three active members, including Tommy Brown a.k.a "Teflon Hoodlum,” Derrick Gage a.k.a “Field Boy P. Hoodlum" and Marcus Crompton a.k.a “Mack 11 Hoodlum."

On the smooth, laid-back track, each member showcases their lyrical versatility over production that’s infused with street-rap and trap-soul with elements of traditional R&B.

You can find “What U Talkin Bout” on the Squad’s latest album, Season, that features 11 exclusive tracks that embody a dope mix of old-school Hip-Hop and new-school street.

The album title was inspired by the fact that it’s playable in every season. Whether it’s Spring, Summer, Fall or Winter, the sound and vibe will always match.

The name also symbolizes that it’s now the group’s season and they’re more than ready to take over the game.

If you’re looking for refreshing new-age rap with an authentic street edge, check out Hoodlum Squad’s single “What U Talkin Bout” as well as their full-length Season album today.



"Hoodlum Squad"
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"Mr. Briefcase" // Villa Dom project is packed with money motivated street anthems

"Mr. Briefcase" // Villa Dom project is packed with money motivated street anthems

"Mr. Briefcase" // Villa Dom project is packed with money motivated street anthems



"Movin' on that paper from corners to skyscrapers" is a good way to summarize the supreme dopeness of  Villa Dom's new project "Mr. Briefcase". This is 13-tracks, packed with money motivated street anthems and inspirational high powered trap bangers! Villa Dom will awaken your love for New York hiphop as he combines the lyrical explosiveness of a Busta, the brash confidence of a 50 Cent, the hustler's mentality of a Jim Jones. Follow the multimedia artist, Villa Dom, and checkout the full project, "Mr. Briefcase" today.



"Mr. Briefcase" on Spotify
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“Take Hip-Hop Back” // J-Carter drops a fiery video for upcoming release of new album

“Take Hip-Hop Back” // J-Carter drops a fiery video for upcoming release of new album

“Take Hip-Hop Back” // J-Carter drops a fiery video for upcoming release of new album





If New Jersey did not have a lyrical prince ready to ascend to their Hip-Hop throne before, they do now. He goes by the name of J-Carter; and with every stroke of his pen this year, the Garden State emcee has proven well-ready for the crown. J-Carter deserves much praise for his grind and indomitable work-ethic on his latest body of work as he gets loaded up to drop 38 new tracks for his new album, “Take Hip-Hop Back”.  The beauty of “Take Hip-Hop Back” is that it perfectly encapsulates two generations; two sounds of the New Jersey lifestyle. On one plane, it embodies the lyrical aggression, depth and bravado of the Redmans, Joe Buddens, and Treachs who built upon the foundation for East Coast Hip-Hop. On the other hand, it warmly embraces the sonics of today: boasting 808s, malicious, synth-based melodies, and jarring trap drums. This puts the nine-track opus on the ideal axis of a 2019 Hip-Hop album. It is, essentially, an onslaught of lyrical bangers; that in J-Carter’s own words, “...the people will have no choice but to hear...”. 



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“Take Hip-Hop Back” on May 3rd

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“Open Season” // Asaru is killing the rap game with barz on new single

“Open Season” // Asaru is killing the rap game with barz on new single

“Open Season” // Asaru is killing the rap game with barz on new single



Asaru just made a horror movie. With the drop of one, swift single, “Open Season”, he has killed the current rap game; and we could do little but watch. Nightmarish pianos, surrounded by crackling vinyl, slide the New York-born’s latest into your speakers. After thirteen seconds of this, rumbling 808s creep into the mix; eventually shoved into a ghostly acapella. Here, Asaru draws his lyrical butcher-knife. Through the initial stab of reckless, trap drums, the Tampa spitter explodes into a rage of rhymes. For the next three minutes, it seems as though he never falls back. Every line is a swift cut; every bar is a clever punch. He bloodies the current rap game by serving both generations: “new” and “old”, with a banger they can equally embrace. Whether you’re a fan of the latest of trap’s greatest, or lyrical ability of our greatest decades ago, Asaru shows us it is “Open Season”. And he will kill until he’s on the top.
The single is now available across all digital platforms.



“Open Season” on Spotify 
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“Days Of Our Lives” // Philly Blocks drops visuals for street anthem

“Days Of Our Lives” // Philly Blocks drops visuals for street anthem

“Days Of Our Lives” // Philly Blocks drops visuals for street anthem



Philly Blocks is as slick as can be on his fresh, Kentucky anthem, “Days Of Our Lives”. Packed with an accompanying music video, which features the rapper fancying a typical, Louisville night, this new-age trap smash is beyond impressive. The Bluegrass State emcee brings his best wordplay, delivery and metaphors to this nearly three-minute opus. Stark 808s boom across a malevolent melody, with scattering hihats and trap drums, as Philly Blocks raps about his upbringing in those Southern streets. What juts out about “Days Of Our Lives” is how lyrical the record is, and how vivid its visual grows to be. Both elements of this hardbody effort get better and better as the runtime lunges on. Between scenes of the talented spitter frequenting corner stores, blocks, and his fellow Team 563 members, Philly Blocks delivers a lyrical performance synonymous to the greats of the Golden Era. He is precise with every bar he lays in the booth; and that precision not only enhances “Days Of Our Lives”, but likewise makes the Kentucky rapper a treasure in the current era of Hip-Hop.





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“The Wknd” // Rhyman is hiphop greatness on new 11-track album

“The Wknd” // Rhyman is hiphop greatness on new 11-track album

“The Wknd” // Rhyman is hiphop greatness on new 11-track album



Most upcoming artists in Hip-Hop want nothing more than fame. The art takes a backseat to imagery, trends and social media stunts that will garner them a mainstream break. Few rising rap acts truly value the artistry and prospect of Hip-Hop; however, Swiss emcee, Rhyman, refuses to submit to that case. If anything, his new album, “The Wknd”, is a revival of lyricism and substance in a day where those elements seem to be dwindling away. The eleven track project sports of variety of Golden Era-styled beats, yet, this is not the sole factor that assigns “The Wknd” its Hip-Hop greatness. It is Rhyman’s proficiency as an emcee that makes this album an outlier of 2019. Whether you are cruising to the climatic opener, “Welcome 2 The Wknd”; awe-striking boom-bap cuts, such as “What If” and “Heaven”; the tranquil confessional of “No Sen$e”; or the abstract bangers, “Smog & Fire”, “Basick” and “Outro”; you will never hear Rhyman falter. He remains at the apex of his lyrical game for the duration of “The Wknd”. Does he reference wanting fame and a mainstream break as much as his fellow upcoming artists? Absolutely. However, the difference between him and them, is that Rhyman is willing to earn acclaim the only way you should in Hip-Hop: with creativity, honesty, and pure bars. He brings that triple package to “The Wknd”, and in doing so, has created an album that is true to the culture he breathes.




“The Wknd”on Spotify 

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Motor Mouth drops nostalgic hiphop tribute to the golden-era "Back in the Day"

Motor Mouth drops nostalgic hiphop tribute to the golden-era "Back in the Day"

Motor Mouth drops nostalgic hiphop tribute to the golden-era "Back in the Day"



Motor Mouth has perfectly placed nostalgia between electronic synths and boom-bap beats. With three minutes and twenty seconds on the clock, this Hawaii-born, former United States Army soldier casts a light on every Hip-Hop legend whose inspired him thus far. That light refracts into “Back In The Day” featuring Marissa Delmonico. The producer, Darren Vegas contributed instrumental brilliance to this record; guiding it in slowly with a progression of atmospheric synths, frosted by Marissa Delmonico’s enchanting adlibs. Motor Mouth enters just as the muddy bass does, rolling along with the loop of Golden Era drums to a story he spits about his Hip-Hop upbringing. From being “on the courts playing ball with the homies blaring Biggie Smalls” to Eminem blowing his mind with every release, our Los Angeles-based artist displays a vivid love for the culture. This love is so pure and gargantuan that only Marissa’s angelic voice can emulate it. She belts a poppy, yet soulful hook for “Back In The Day”; surging with an identical passion to the track’s creator. On this record, Motor Mouth is golden. You may hear a song full of shoutouts and believe paying homage is the reason this Seattle native excels. That is not the case. It is his ability to tell the story of his upbringing , and be himself entirely, that pays this artform the greatest respect. Continue to honor that; and this emcee will be paid back even sooner.





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Koinda (aka Koindanomics) releases 2nd collaborative Hiphop/RnB mixtape “Koinda Vol. 2”

Koinda (aka Koindanomics) releases 2nd collaborative Hiphop/RnB mixtape “Koinda Vol. 2”

Koinda (aka Koindanomics) releases 2nd collaborative Hiphop/RnB mixtape “Koinda Vol. 2”





After having released their first installment in the “Koinda” series a little over a month ago, the powergroup Koindanomics has returned with “Koinda Vol. 2”. Contrary to their last effort, “Koinda Vol. 2” proffers a total of fifteen tracks with a revised cast of stars. Verily, this project sees the recurrence of the first’s phenomenal artists, such as P5YCHONOMIXXX, BLAKFIST, CG Que, and Brian Nightingale; however, it likewise bolsters new, illuminating talent. JSoul delivers a soulful, boom-bap chop for the album’s intro; Marrani is moving with a Afro-beat tirade, “Olisa”; Esco and Ace Burns light up the party with a terrific, trap banger, “Someone Do It For Me”; and BYNO delivers a cinematic, R&B jam through “Once Bitten Twice Shy”. The album is an amalgam; yet, soul is as present as ever before. “Koinda Vol. 2.” is abundant with well-crafted, mesmerizing music. With so many distinct, emotive flavors pulled in from the world around, it paves an identical path of success to its predecessor: uniting everyone through the objective of economic empowerment. That is the goal of Koindanomics; and with a project as appealing as this, their message is rings even louder across the globe.




“Koinda Vol. 2” 


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Fastest growing black economics FB group, Koindanomics releases collaborative Hiphop/RnB mixtape “Koinda Vol. 1”

Fastest growing black economics FB group, Koindanomics releases collaborative Hiphop/RnB mixtape “Koinda Vol. 1”

Fastest growing black economics FB group, Koindanomics releases collaborative Hiphop/RnB mixtape “Koinda Vol. 1”




Time is money; and when it comes down to it, the international, economic organization, Koindamonics’, 45-minute group LP, “Koinda Vol. 1” is worth more than you can imagine. Especially when their goal is to bring financial education to communities that need it the most. That makes “Koinda Vol. 1” priceless. Yet, if there had to be a value affixed to the music of this massive mixtape, it would be nothing less than pure gold. Composed by Angi Maxx, BLAKFIST, Brian Nightengale, Brooklyn Lou, CG, P5yckOnOmixXx, and Saturn; “Koinda Vol. 1” is rich in realness and originality. With songs ranging from Neo-Soul, Golden Era Hip-Hop, Abstract Hip-Hop, R&B, Worldly, and Trap, this album truly has something for everybody. It tethers all people and communities through a lovely batch of diverse, yet outstanding sounds; and that alone brings the collective closer to their altruistic goal. Koindanomics proves that music is still the most powerful medium for spreading a message; and upon playing their project, “Koinda Vol. 1”, you’ll hear there’s loud and clear.




“Koinda Vol.1”


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