Rick Ross Releases Highly Anticipated Single “Loaded” ft. Kemar McGregor

Rick Ross Releases Highly Anticipated Single “Loaded” ft. Kemar McGregor

Rick Ross Releases Highly Anticipated Single “Loaded” ft. Kemar McGregor

 

Blending island riddims with cinematic rap swagger, this track delivers a glossed-up anthem centered on royalty, luxury, and global influence. This is a collaboration with Jamaican-American producer Kemar McGregor, known as “The Billboard King” for his chart-topping reggae records, and his touch is all over the song’s island bounce. Warm basslines and staccato synth hits set a breezy backdrop for unapologetic flexes of million-dollar rings and fast cars. Beneath the jet-setting bravado, however, is a classic rags-to-riches story, contrasting early days eating bully beef with the undisputed reign of being self-made. 

Hip-Hop Icon • Serial Entrepreneur • Cultural Icon

Rick Ross—born William Leonard Roberts II—is far more than a music legend. He’s a Grammy nominated rapper, empire builder, luxury tastemaker, community leader, and cultural powerhouse whose vision has helped shape hip-hop’s evolution over the last two decades. From his deep baritone to his commanding presence in music and business, Ross has become one of the most influential multi-hyphenates of his generation.

Ross exploded onto the scene in 2006 with his breakout hit “Hustlin’”, which went platinum before he even had a major record deal. He followed with a string of critically acclaimed albums including Port of Miami, Trilla, Deeper Than Rap, Teflon Don, God Forgives, I Don’t, and

Richer Than I Ever Been. His catalog is both sonically lush and lyrically vivid, built on themes of power, perseverance, and wealth.

Over the span of his career, Rick Ross has earned ten Grammy nominations, collaborated with the biggest names in music—Jay-Z, DJ Khaled, John Legend, The Weekend, French Montana, Lil Wayne, Nas, and many others—and has consistently landed at the top of Billboard charts, cementing his status as one of rap’s true heavyweights. As the founder of Maybach Music Group (MMG), Ross helped usher in a new generation of stars including Meek Mill, Wale, and Omarion, proving his eye for talent and executive prowess.

Off the mic, Ross is a mogul in every sense of the word. His portfolio includes:

• Luc Belaire: Ross is a longtime brand partner and equity ambassador for this ultra-premium French sparkling wine, aligning the brand with luxury and hip-hop culture.

• Slippery Soap: In 2024, Ross launched this high-performance automotive cleaning line, now available in over 400 AutoZone stores across the U.S., making a major play in the billion-dollar auto care industry. This partnership was a full-circle moment for Ross in his ethos. At 13, he began working at a local car wash in his hometown, where he honed his skills and nurtured his love for automobiles. Gaining an appreciation for the intricacies of vehicle maintenance and detailing, he began to immerse himself into the world of cars. Learning about different models, makes, and the art of keeping them pristine. This hands-on experience not only shaped his work ethic, but also fuels his ambition for success in the automotive industry. In essence, Ross’s journey from working at a car wash in Miami to partnering with Slippery Soap underscores his unwavering dedication to his passions and his relentless drive to succeed. His love for cars remains a central aspect of his ethos, serving as both a source of inspiration and a testament to his journey from humble beginning to entrepreneurial triumph.

• Wingstop & Checkers Franchises: Ross owns multiple locations across the country, bringing jobs and economic development to underserved communities while scaling profitable business ventures.

• Smiles by Mario Montoya: In 2025, Ross entered the healthcare space, partnering with celebrity dentist Dr. Mario Montoya to open a luxury dental practice in Sandy Springs, GA, offering cosmetic and general dentistry services to high-end clients.

• The Rick Ross Car & Bike Show: What started as a personal passion project has become one of the most anticipated annual automotive and lifestyle events in the country. Held at his sprawling 235-acre estate in Fayetteville, GA, known as The Promise Land, the show draws

thousands of car enthusiasts and hip-hop fans. Now in its 4th year, the show has secured major sponsors including Harley-Davidson, Rockford Fosgate, Monster Energy, and more, further establishing Ross as a lifestyle curator.

• Other ventures include Rap Snacks, High Tolerance, and Rick Ross Boss Up Conference. Ross has also made a name for himself in film and television. He’s appeared in popular shows such as Coming 2 America, DAVE, The Vince Staples Show, and Magic City, and has multiple

projects in development as a producer and actor.

In 2019, he released his memoir, Hurricanes, which became a New York Times bestseller. The book offers an unfiltered look at his journey from Carol City to the top of the rap and business world, earning critical acclaim for its honesty and inspiration. In 2021 Ross returned to the New York Times bestseller list, penning the inspirational The Perfect Day to Boss Up: A Hustler’s Guide to Building Your Empire. Ross’s influence is not only felt through music and business—it’s recognized by the community.

In 2022, the City of Miami honored him with the Key to the City and named multiple streets in his honor based around his lyrics, with his hometown celebrating his role as a cultural ambassador and entrepreneur who’s given back to his roots. From platinum records to real estate holdings, from food franchises to premium brand partnerships, Rick Ross has built a sprawling empire rooted in hustle, excellence, and vision. He is not only a hip-hop icon but also a blueprint for modern Black entrepreneurship. Whether he’s on stage, in the boardroom, or hosting tens of thousands at his estate for his car show, Rick Ross continues to expand his legacy—bold, unfiltered, and unforgettable.

Connect:

INSTAGRAM

TIKTOK

FACEBOOK

YOUTUBE 

About Kemar McGregor: 

Kemar McGregor “The Billboard King” is an acclaimed Jamaican-American music producer, songwriter, and CEO of FM Records. Renowned as a pioneer of the modern pop-reggae movement, McGregor has spent over two decades producing hit records and multi-platinum tracks that seamlessly blend traditional roots reggae and dancehall with mainstream pop, R&B, and hip-hop. His extensive production portfolio features collaborations with some of the industry’s biggest global icons, including Snoop Dogg, Sinéad O’Connor, Musiq Soulchild, Rick Ross, and Gyptian. Boasting multiple number-one albums on the Billboard Reggae charts, consecutive JUNO Award nominations, and millions of records sold worldwide, McGregor remains one of the most influential and chart-dominant forces in contemporary reggae music.

Connect:

INSTAGRAM | FACEBOOK

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Wadena “Denagirl” Hits #38 On iTunes R&B/Soul With “Smoke-n-Chill” As “Wadena vs. Wadena: Back Outside” Builds Major Post-Release Momentum

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Wadena “Denagirl” Hits #38 On iTunes R&B/Soul With “Smoke-n-Chill” As “Wadena vs. Wadena: Back Outside” Builds Major Post-Release Momentum

 

“SMOKE-N-CHILL” CLIMBS TO #38 ON iTUNES R&B/SOUL FOLLOWING THE EP RELEASE, WHILE WADENA’S UNRELEASED “GLAD I’M OVER YOU” FEATURING TURNER WITH HOOD LOVE CONTINUES ITS IMPRESSIVE RUN ON THE UPCOMING 100 MUSIC CHARTS

LONG ISLAND, NY — October 2026 — Independent recording artist, songwriter, and vocalist Wadena “Denagirl” is celebrating a powerful new chapter following the release of her latest project, Wadena vs. Wadena: Back Outside, released August 28, 2026.

The post-release momentum is already making noise. Following the release of the EP, Wadena’s “Smoke-N-Chill” climbed to #38 on the iTunes R&B/Soul chart, adding another major milestone to the record’s growing story.

At the same time, Wadena continues to make an impact on the Upcoming 100 Music Charts with “Glad I’m Over You,” an unreleased track featuring Turner with Hood Love. The record has spent 56 weeks on the Upcoming 100 Music Charts, reaching as high as #7 and currently sitting around #32.

The EP itself has surpassed 24,000 Spotify streams, while Wadena’s catalog continues to gain traction with listeners discovering the versatility, energy, and story behind her music.

One of the project’s standout records, “Smoke-N-Chill,” a Wadena collaboration with her sister LT and Grammy Award-winning, legendary hip-hop producer Zaytoven, has surpassed 150,000 streams across multiple platforms and continues to build momentum.

“Smoke-N-Chill” has also remained on the Upcoming 100 Music Charts for more than 52 weeks, reaching as high as #3, further demonstrating the record’s staying power.

Another major collaboration, “Bum Busta,” produced by Grammy Award-winning, legendary hip-hop producer Zaytoven, continues to build momentum as well. Originally released February 14, 2026, the record has surpassed 100,000 streams across multiple platforms and has now passed 19,000 Spotify streams following the EP release.

Wadena’s catalog continues to demonstrate that her music cannot be placed into one box. Moving between Hip-Hop, R&B, Pop, Melodic Rap, and Club Music, she continues to show a willingness to experiment while maintaining her own recognizable sound and personality.

A COMEBACK BUILT THROUGH ADVERSITY

Behind the numbers is a story that goes far beyond music.

Wadena’s return to recording followed a traumatic brain injury that forced her to fight to regain portions of her long-term and short-term memory, as well as the ability to fully express herself through speech, movement, music, and performance.

Her return to the professional recording environment became a personal milestone.

Traveling from New York to Atlanta, Wadena stepped back into the studio and began creating again — including working with Zaytoven and his team. What she did not initially realize was just how significant that moment would become.

Then came even more personal challenges.

Wadena experienced the loss of her father on Mother’s Day, while her elderly mother has also faced serious medical emergencies and hospitalizations. At the very moment Wadena was attempting to maximize the promotional campaign surrounding her EP, family circumstances required her attention.

Yet the music continued to move.

Fans continued to stream.

Media continued to show love.

And the industry continued to take notice.

WHEN THE MUSIC SPEAKS LOUDER

Wadena says the response has reminded her why she never stopped writing and creating.

She has also described facing what she believes were inappropriate law-enforcement inquiries surrounding her music and travel, including scrutiny of the lyrics to “Smoke-N-Chill.” Wadena maintains that the song is music and creative expression, not an endorsement of drug activity, and says the experience only strengthened her determination to continue creating.

Rather than allowing adversity to define the story, Wadena is choosing to let the music define what comes next.

A MESSAGE TO THE MUSIC INDUSTRY

Following the release of Wadena vs. Wadena: Back Outside, Wadena says she has received attention and outreach from major-label representatives, A&Rs, artists, celebrities, producers, and industry teams.

She wants to thank everyone who has reached out, listened, shared her music, offered guidance, or expressed interest in working together.

And her message is simple:

The door is open.

Wadena is looking for serious creative relationships, strategic marketing opportunities, playlist support, media opportunities, additional production, collaborations, and the right industry partnerships to help take her music to an even larger audience.

«“This isn’t about beef. It’s about love. Love conquers more than hate ever will. I want to continue creating, writing, singing, recording, and giving people music.”»

Wadena says she has always been writing and singing with the future in mind — and she believes she has an entire catalog waiting to be heard.

She describes herself as being “hungry like a little kid in elementary school” when it comes to sharing her music, connecting with audiences, getting back into the studio, and creating the next chapter of her career.

She also hopes to return to the studio with Zaytoven and continue building on the creative chemistry that helped fuel this latest chapter.

THE STORY ISN’T OVER — IT’S JUST BEGINNING

For Wadena, Wadena vs. Wadena: Back Outside represents much more than an EP.

It represents survival.

Creativity.

Resilience.

Growth.

And the decision to keep going.

With more than 24,000 Spotify streams for the EP, more than 150,000 streams for “Smoke-N-Chill,” a #38 iTunes R&B/Soul chart placement for “Smoke-N-Chill” following the EP release, and continued Upcoming 100 Music Chart momentum for “Glad I’m Over You” featuring Turner with Hood Love, Wadena believes this is only the beginning.

“Wadena vs. Wadena: Back Outside” is not the end of the comeback. It’s the beginning of what’s next.

PLAY WADENA’S MUSIC

Wadena invites fans, DJs, media, playlist curators, artists, producers, A&Rs, labels, and music professionals to continue supporting the movement.

Stream the EP. Share the music. Add the songs to your playlists. Tell somebody about Wadena.

And most importantly:

#PlayWadenasMusic

Wadena “Denagirl”
Artist | Songwriter | Vocalist
For Media, Booking, Interviews, Collaborations & Industry Inquiries:

Bang Hitz Entertainment

phone: (516) 462-6421

email: Banghitzpublishing@gmail.com

Connect:

Instagram: https://www.instagram.com/denagirl1

Facebook: https://www.facebook.com/share/186Y3dYSjA

Youtube: https://youtube.com/@wadenanow?si=YrizuFR78Z1b8CIs

Website: www.wadenanow.com

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Goldie Gabbana Releases Captivating New Single “In & Out”

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Goldie Gabbana Releases Captivating New Single “In & Out”

 

Goldie Gabbana AKA Geezo drops his highly anticipated single “In & Out”. The Jersey native hailing from Burlington County takes you and an immersive speaker knocking track that will have you pressing the replay button for sure! This track like many to come was completely produced & arranged by Goldie.

This is the first single from an EP that has been in the work for 2+ years. Coming off his last project “The Difference Is Super”. This single is a continuation of Geezo’s hard work and dedication to his craft.

Goldie explained to us his life hasn’t been smooth sailing the last couple of years. He was dealing with legal troubles, online battles, and even facing homelessness while making this project.

Staying locked in wasn’t easy, but making it out the storm has given him a new found purpose in life and this is phase 1 of the transformation.

In the following months, you can expect new music videos, reels, and merch dropping late December.

Connect:

https://www.instagram.com/goldiegabbana

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Sufia Giza Carries the Dub-Poetry Tradition Forward on New Roots Reggae Album “Echoes of Freedom”

Sufia Giza Carries the Dub-Poetry Tradition Forward on New Roots Reggae Album “Echoes of Freedom”

Sufia Giza Carries the Dub-Poetry Tradition Forward on New Roots Reggae Album “Echoes of Freedom”

 

Produced by Jah-Eye and featuring veteran reggae musicians Carlton “Santa” Davis and Lesterfari Simbarashe, the nine-track set begins its rollout on Indigenous Peoples’ Day.

Indigenous author, historical researcher and dub-poetess Sufia Giza launches the rollout for her forthcoming nine-track roots reggae album, Echoes of Freedom, with the October 12 premiere of her “Quantum Nonsense” video trailer in observance of Indigenous Peoples’ Day.

CHARLESTON, S.C. — Indigenous author, historical researcher and dub-poetess Sufia Giza first entered the media spotlight with her 2018 book, Moundbuilders of Ancient America: A Legacy Reclaimed, which explored her ancestral roots and the legacy of ancient mound-building cultures. Now, Giza will mark Indigenous Peoples’ Day with the October 12 premiere of her “Quantum Nonsense” video trailer. The premiere launches a multi-stage rollout for her forthcoming nine-track roots reggae album, Echoes of Freedom. Through poetry and music, the project extends her historical and cultural work while creating space for intergenerational conversations about identity, remembrance, resistance and healing.

The video trailer draws from the album track ‘Quantum Nonsense,’ which examines the complex history of Black people in Indian Country and invites a deeper conversation about the intersections of Indigenous and African American history.

Following the trailer premiere, Giza will pre-release one album track, the ethereal “I Went to Church Today,” on November 2, the Day of the Dead. Written while she was grieving her mother’s death, the song opens the campaign on a day associated with remembrance and honoring those who have passed. The complete digital album is scheduled for release December 31, 2026, on Unity Works Music, coinciding with Kuumba, the Kwanzaa principle of creativity. CDs will follow in 2027, with a vinyl edition also under consideration.

“Echoes of Freedom is my way of bringing the voices of the past into the conversations we are having right now. Releasing the ‘Quantum Nonsense’ trailer on Indigenous Peoples’ Day is a way of honoring Indigenous history while setting the tone for an album rooted in reverence and restoration,” said Giza.

Of Muskogee Creek and Gullah-Geechee heritage, Giza lives between Charleston, South Carolina, and Tobago, Trinidad’s sister island. Her work as a spoken word artist follows the dub-poetry tradition of artists who place politically and culturally conscious verse over music, including Linton Kwesi Johnson, Nikki Giovanni, the Watts Prophets, the Last Poets and Mutabaruka. With Echoes of Freedom, she pairs positive, reflective lyrics with a mellow roots reggae foundation, using song as a bridge between lived memory and contemporary questions.

The album is produced by Jah-Eye and features veteran musicians including drummer Carlton “Santa” Davis of Soul Syndicate, whose credits include work with Peter Tosh and Ziggy Marley, and guitarist Lesterfari Simbarashe of King’s Music. Their instrumentation supports Giza’s measured vocal delivery across a collection recorded over a period of years.

Echoes of Freedom includes work that has already reached audiences through film and publishing. “Cape Fear Massacre” appeared on the soundtrack to Christopher Everett’s award-winning 2015 documentary Wilmington on Fire, while “Softly Walking” was published in the 2016 Routledge anthology Emergent Possibilities for Global Sustainability: Intersections of Race, Class and Gender.

Other selections explore grief, consciousness, perseverance and self-worth. Alongside “I Went to Church Today,” the album includes “Indigo Moods” and the inspirational “Keep It Movin’.” “Reflection of Love” examines low self-esteem, while “Quantum Nonsense,” the visual entry point for the campaign, considers the history of anti-Blackness in Indian Country.

“Dub poetry allows me to place history inside rhythm, where it can be felt as well as heard. I want this music to open conversations between generations and encourage people to look more deeply at the stories that have shaped us,” Giza added.

The “Quantum Nonsense” trailer combines desert drone footage with photography edited by Giza. It premieres October 12, 2026, in observance of Indigenous Peoples’ Day and can be viewed at https://youtu.be/ov9IyUT7L6g.

Additional music and album details will be announced at https://sufiagiza.com.

About Sufia Giza

Sufia Giza is an Indigenous Muskogee Creek and Gullah-Geechee spoken word artist, dub-poetess, author and documentary filmmaker whose work explores history, culture, identity and the African diaspora. She is the author of the 2018 book Moundbuilders of Ancient America: A Legacy Reclaimed, which documents her decades-long exploration of her family’s Indigenous ancestry and the ancient mound-building cultures of the Americas.

A native of Riverside, California, with roots in South Carolina and the Caribbean, she holds three degrees, including a master’s degree in bilingual and cross-cultural educational counseling. Her creative catalog also includes two poetry chapbooks and five documentaries, among them REGGAE MILITIS The Bizness of Reggae Music and ethnobotanical films examining medicinal plant traditions across the African diaspora. Echoes of Freedom is her second release on Unity Works Music.

Visit https://sufiagiza.com.

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8BitJ Drops New Hit Single “War”

8BitJ Drops New Hit Single “War”

8BitJ Drops New Hit Single “War”

 

8BitJ is an enigmatic, masked hip-hop artist and rapper based in the San Francisco Bay Area Known for his experimental and conceptually driven style, his music blends brutally honest, introspective lyricism with retro pop-culture and 90’s style aesthetics.

War is a gritty, high-energy banger The song revolves around themes of resilience, street bravado, and a readiness to go to battle for anything and everything, it’s an anthem for when the time for talk is done, and it’s time for War.

This song is featured on 8BitJ’s brand new album Piranha as the lead single.

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Votte Hall Drops Highly Anticipated Single “Motion Pt. 2” ft. AZ

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Votte Hall Drops Highly Anticipated Single “Motion Pt. 2” ft. AZ

 

Atlanta based Billboard-charting R&B artist Votte Hall just released his highly anticipated single “Motion Pt. 2” featuring Brooklyn’s legendary lyricist AZ (Illmatic, “Sugar Hill,” The Firm) and super producer LaDamon “FatBoi” Douglas (Gucci Mane, Jeezy, Nicki Minaj).

“Motion Pt. 2″is the sound of the grind finally paying off. Over FatBoi’s rich, soul-soaked production and crisp, polished percussion, Votte Hall looks back on the hard nights spent in a dark kitchen and raises a glass to the life he built, one that’s now filled with Maybach rides and penthouse skylines. AZ follows with a masterclass in pen game, lacing the track with intricate wordplay about perseverance and the principles that got him through. It’s a celebration, but it never forgets how long the road was.

Known for breakout hits like “Kiss On Me” and his expansive 2024 album Heartbreaker, Votte Hall blends R&B roots, storytelling grit, and a mix of Gullah Geechee, African, and Caribbean heritage into his music.

Votte Hall is back in Motion.The Billboard-charting entertainer, songwriter and performer returns with “Motion Pt. 2,” a new record produced by acclaimed hitmaker LaDamon “FatBoi” Douglas and featuring legendary New York rapper AZ. FatBoi brings a proven track record across hip-hop and R&B, including producing Gucci Mane’s breakout hit “Wasted,” along with production credits spanning artists such as Ella Mai, Jeezy, Monica, Flo Rida and Plies. Joining Votte on the record is AZ, one of hip-hop’s most respected lyricists. First introduced to the world through his standout appearance alongside Nas on the landmark Illmatic album, AZ went on to launch an acclaimed solo career with Doe or Die and his hit single “Sugar Hill.” He later joined Nas, Foxy Brown and Nature as a member of The Firm, the celebrated supergroup whose album was released through Dr. Dre’s Aftermath Entertainment.

For Votte Hall, Motion is about chasing a dream long enough to finally see it move.It’s a message that mirrors his own journey.Hall broke through in 2018 with “Kiss On Me,” beginning a run that would lead to Billboard chart recognition, arena stages, live television and performances surrounding NFL and other professional sports franchises. In 2024, his Heartbreaker album expanded his reach internationally and continued to establish Votteas an entertainer unwilling to be confined to one musical lane.

His sound reflects that freedom. R&B and soul remain part of his musical foundation, but Votte’s influences stretch across the world and his love for Afrobeats and global rhythms. Raised with Gullah Geecheeroots/African/Caribbean roots, there is also an understated connection to culture, rhythm and storytelling that naturally finds its way into his music. Yet one of the most relatable parts of Votte Hall’s story happened away from the stage.

Before the arena performances and Billboard recognition, Hall was an everyday businessman working a corporate career while pursuing an extraordinary dream. He built his professional life, went to work, handled responsibilities and continued creating music, often balancing the same realities faced by millions of people who are building one life while dreaming about another. He is largely self-made, and that experience has shaped both the man and the entertainer. That is why “Motion Pt. 2” carries a different meaning. It is for the entrepreneur waiting for the business to take off. The artist is waiting for someone to hear the record. The professional builds something after work. The person who has been quietly betting on themselves while the rest of the world sees only their everyday life.

Sometimes the dream doesn’t happen overnight. Sometimes you work for it for years. And then, finally, it starts moving. With FatBoi behind the production, AZ bringing the unmistakable voice of New York hip-hop, and VotteHall entering his next chapter as an entertainer, “Motion Pt. 2” connects where he has been with where he is going. 

For Votte Hall, the message is simple: Keep going until the dream is in Motion.

Connect:

WEBSITE

INSTAGRAM

YOUTUBE

FACEBOOK

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Stevieontay Burnz Announces Burnz and Beyond — Where Music, Cannabis Culture, and Entrepreneurship Collide

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Stevieontay Burnz Announces Burnz and Beyond — Where Music, Cannabis Culture, and Entrepreneurship Collide

 

Independent artist and entrepreneur Stevieontay Burnz prepares to release Burnz and Beyond, a new project built around cannabis culture, ambition, independence, and the real-life experiences behind The Southern Maryland Experience (The Experience Dispensary)

Stevieontay Burnz is bringing together two worlds that have become inseparable from his story: music and cannabis culture.

The independent artist, entrepreneur, and founder of The Southern Maryland Experience (The Experience Dispensary) is preparing to release his new album, Burnz and Beyond, a project that takes listeners deeper into the lifestyle, business, and experiences that have shaped both his music and his growing brand.

Rather than separating the artist from the entrepreneur, Burnz and Beyond puts both sides of Burnz on full display.

The album draws inspiration from his experiences building The Southern Maryland Experience, navigating the independent music industry, developing cannabis products and brands, and continuing to push forward through the challenges that come with entrepreneurship.

From The Southern Maryland Experience to Burnz and Beyond

Founded under Unlimited Experience Holding Company LLC, The Southern Maryland Experience / The Experience Dispensary has grown from its Maryland roots into a legal cannabis and hemp-focused retail brand with operations in North Carolina.

The company focuses on the legal, 21+ cannabis and hemp market, offering a curated selection of products while building a brand centered around cannabis culture rather than the traditional dispensary experience.

For Burnz, that business isn’t separate from his music. 

It is part of the story.

That connection can be heard throughout Burnz and Beyond, where cannabis references sit alongside themes of ambition, relationships, pressure, independence, success, and the realities of trying to build something from the ground up.

The Burnz and Beyond Rollout Begins

The album rollout begins with “Wax Wizardry,” arriving September 30, 2026.

Mixed and mastered by Crackle Kapone, “Wax Wizardry” introduces listeners to the cannabis-heavy atmosphere surrounding the project while showcasing the sound Stevieontay Burnz has continued developing as an independent artist. 

The rollout continues with:

“Married to Mary” — October 7 

“Terp Temple” — October 14 

“The Experience” — October 21

AND MORE TO FOLLOW!

Each release expands the world surrounding Burnz and Beyond, connecting Burnz’s music with the cannabis culture and entrepreneurial journey behind The Southern Maryland Experience. 

The project also follows a growing run for Stevieontay Burnz that has included independent media coverage, radio exposure, interviews, live performances, and continued expansion of his presence across streaming platforms and music media.

More Than an Album 

The title Burnz and Beyond represents exactly what Stevieontay Burnz is attempting to build. 

The music is one part of a much larger vision.

As an artist, Burnz is building his catalog and identity independently. As an entrepreneur, he is continuing to develop The Southern Maryland Experience as a recognizable cannabis-focused retail and lifestyle brand. 

Those paths now meet in Burnz and Beyond.

Instead of simply rapping about cannabis culture from the outside, Burnz’s music comes from someone actively involved in the industry — dealing with the long hours, risks, regulations, branding, customers, products, and constant pressure involved in building a legal cannabis business. 

That gives Burnz and Beyond a perspective that goes beyond cannabis references alone. 

It’s the soundtrack to the lifestyle behind them.

What’s Next for Stevieontay Burnz

With Wax Wizardry kicking off the rollout September 30, Stevieontay Burnz is entering the next stage of his independent career with new music, expanded media coverage, and continued growth surrounding The Southern Maryland Experience.

For Burnz, the goal isn’t simply to release another album or operate another dispensary. 

It’s to build an ecosystem where music, cannabis culture, entrepreneurship, art, and community can exist under one identity. 

And with Burnz and Beyond, those pieces are beginning to come together.

Follow Stevieontay Burnz on all major streaming and social platforms for the latest releases from Burnz and Beyond. 

Listen to Stevieontay Burnz 

Spotify: Stevieontay Burnz 

Official Website and EPK: Stevieontay.info

Cannabis Website: www.thesomdexp.com

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Danita Chanel A True Artist In Every Sense Of The Word

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Danita Chanel A True Artist In Every Sense Of The Word

 

Danita Chanel is a multifaceted recording artist, singer, songwriter, performer, fashion designer, filmmaker, actress, and entrepreneur, originally from the Crown Heights section of Brooklyn, NY with Parents from the gem of the Caribbean, Barbados, whose creativity is rooted in authenticity, faith, love, and self-expression.

Known for her distinctive artistic vision and fearless approach to storytelling, Danita Chanel creates music that moves across emotions and experiences—from love and relationships to confidence, ambition, spirituality, and personal growth. Her artistry is driven by the belief that music has the power to connect people, inspire conversations, and bring hearts together.

Her creative world extends beyond music. Danita Chanel is passionate about fashion, visual storytelling, film, and building businesses that reflect her individuality and imagination. Whether she’s behind the microphone, in front of the camera, designing, or developing a new creative project, she approaches every endeavor as an opportunity to turn vision into reality.

Her music includes projects such as “Unity,” “Love Will Never Die,” “Ode to Fenty,” “Put It Down,” “Pullin’ Up,” and “Can’t Knock the Hustle FreestŸle.” Through her work, Danita Chanel continues to develop a recognizable brand centered on originality, resilience, love, and the power of becoming one with your purpose.

Danita Chanel is more than an artist—she is a creative force building a world through music, fashion, film, faith, and entrepreneurship.

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HoodTrophy Bino Releases Captivating New Album “Still Here”

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HoodTrophy Bino Releases Captivating New Album “Still Here”

 

HoodTrophy Bino delivers a multi-dimensional body of work balancing raw street authenticity with West Coast bounce and introspective vulnerability across 16 tracks. The project navigates mental health struggles, street paranoia, and emotional burnout on reflective cuts like “DRAMA KID” and “Lost It,” while effortlessly shifting into breezy California anthems like “Where U From” featuring RJMrLA and “Blind Somebody” featuring Spank Nitti James. Relentless street energy and heavy-bass production drive high-impact collaborations like “Beretta” featuring Tadoe, “Distraught” featuring Joe Moses, and “Bout That” featuring Philthy Rich.

Bino turns up the momentum for the night scene on bouncy, club-ready tracks like “Fell 4 It” featuring Baby Money, “Drip Drop” featuring Heaven Marina, “Pretty Bitches” featuring Stiff Barbie, and “Bad Bitch Party” featuring Luh Kel. KeyKinya lends a soaring hook to the resilient “White Flag,” while Rustah Jay and Xxtra join on the explicit late-night anthem “F*ck Me.” The project anchors itself in deep emotional weight toward the finish, confronting toxic relationship strain and personal loss on “Let You Know” and “Leave Me Alone” featuring Joe Moses, before closing on the melancholic, piano-driven “Tired of the Hurt” featuring Heembeezy.

Hoodtrophy Bino has a stacked lineup on the horizon, kicking off with a performance alongside Bravo the Bagchaser in Pomona on September 11th. From there, he joins Chief Keef on tour before hitting the road again in December with Luh Kel. HoodTrophy Bino has generated over 70 million combined views across platforms, anchored by viral hits like “Proud of You” featuring Chrisean Rock and over 80,000 active Shazams driven by “I Want Her” playing at LA Rams and LA Clippers home games. Beyond his chart traction, Bino holds 121 total film festival awards for his documentary “Breaking the Generational Curse” and “The Real” music video. He also stars on the reality TV series “Coming Up in Miami.” 

Tracklisting:

1. Drama Kid

2. Lost It

3. Fell 4 It ft. Baby Money

4. Where U From ft. RJMrLA

5. Blind Somebody ft. Spank Nitti James

6. Beretta ft. Tadoe

7. Distraught ft. Joe Moses

8. F*ck Me ft. Rustah Jay & Xxtra

9. White Flag ft. Key Kinya

10. Bout That ft. Philthy Rich

11. Drip Drop ft. Heaven Marina

12. Pretty Bitches ft. Stiff Barbie

13. Bad Bitch Party ft. Luh Kel

14. Let You Know

15. Leave Me Alone ft. Joe Moses

16. Tired of the Hurt ft. Heembeezy

From gang life to global stages, Hoodtrophy Bino’s journey is one of transformation. After meeting Soulja Boy while incarcerated and later joining S.O.D.M.G., he turned adversity into ambition — touring nationwide and sharing his story through the acclaimed documentary Breaking the Generational Curse. His recent performances include touring with Soulja Boy, appearing alongside him at Rolling Loud Los Angeles, opening for Trippie Redd at the Toyota Arena, and for Chris Brown in Las Vegas. Bino has also been featured on major platforms including The Breakfast Club, On The Radar, HotNewHipHop, Lyrical Lemonade, and No Jumper. Breakout singles “I Want Her” featuring Kalan.FrFr and “Falling For You” further solidified his national presence, earning airplay across SiriusXM The Heat, Power 106, Power 105.1, and 96.1 The Beat, among others.

HoodTrophy Bino has rapidly evolved from a local LA favorite into one of the fastest-rising independent voices out of the West Coast, cementing his shift into the global viral conversation. Across Instagram, TikTok, and YouTube, his content has generated multi-million-view moments and a reliably high engagement floor, underscoring a real audience rather than flash-in-the-pan virality.

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When Betrayal Creates a Villain: How a Wounded Man Learns to Weaponize His Pain

When Betrayal Creates a Villain: How a Wounded Man Learns to Weaponize His Pain

When Betrayal Creates a Villain: How a Wounded Man Learns to Weaponize His Pain

 



There’s a moment in every villain’s story where you can still see the person he used to be. “814” is built around that moment – and everything that led up to it. 

The track centers on Dennis, better known as The Shadow, and asks a question that doesn’t get asked enough in  stories about men who turn dark: what if his pain was real, and he still became the villain anyway? 

This isn’t a revenge fantasy. It isn’t an excuse. It’s an attempt to hold two things that are usually treated as mutually exclusive – that Dennis was genuinely wronged, and that Dennis is fully responsible for what he did with that wound.

The Friend Who Knew Exactly What She Was Doing

Mandy never owed Dennis a relationship. Her rejection isn’t the betrayal – she has every right not to feel what he  feels. The betrayal is in what she does with his feelings once she knows about them. 

She keeps Dennis close. Close enough for the attention, the reassurance, the emotional labor he’s always willing to  provide – never close enough to give him what he actually wants. And when he tries to move on, she quietly makes  sure he can’t. Not because she wants him, but because she doesn’t want to lose what he gives her. 

Then she hooks up with Gabriel, Dennis’s best friend, and does it knowing exactly what that means to him. 

In Dennis’s mind, Mandy stops being a person and becomes a symbol: the woman who steps over the loyal man to  get to the reckless one she claims to dislike. The song isn’t arguing that this is how all women behave. It’s showing  how one experience, left to fester, becomes the lens through which a man starts judging everyone.

The Brother Who Chose Himself 

Gabriel is everything Dennis isn’t – confident, reckless, the guy women notice without trying. He knows Dennis is in  love with Mandy. He knows what acting on his own attraction to her will cost. He does it anyway. 

Mandy belongs to no one, and Gabriel’s choice was his to make. But brotherhood carries its own weight, and he set  it down for a night with the one person guaranteed to break his best friend. That’s the betrayal – not that he “took”  something, but that he knew exactly what it would take from Dennis and did it regardless. 

For Dennis, it confirms the worst thing he’s ever suspected about the world: loyalty doesn’t earn love. Patience  doesn’t earn respect. The guy who breaks the rules wins, and the guy who follows them gets left standing there. 

The Second Betrayal, and the Man Who Nearly Ends It

Milano was supposed to be the healing. Instead, she becomes the pattern repeating itself – close, then gone, choosing  a man named Coolie and leaving Dennis behind for a second time.

Years later, after Coolie turns abusive, Milano comes back. Not because she’s finally learned to value Dennis, but  because she remembers exactly how useful his loyalty can be. She tries to manipulate him into eliminating Coolie  for her. 

Here’s where the song refuses to make anything simple: Coolie did abuse Milano. That’s real, and he’s accountable  for it. But he’s innocent of the crime Dennis ultimately frames him for – Milano’s murder. Dennis picks Coolie  precisely because his guilt is already believable. Nobody has to be convinced Coolie is capable of violence; Dennis  just has to point. 

That’s what makes Dennis dangerous. He doesn’t need to invent the flaws in the people he destroys. He finds the real  ones and stretches them into justification for punishment that was never his to hand out. 

The Man Who Handed Him the Weapon 

Dennis’s real transformation starts at his lowest point, after a suicide attempt, when Dominick pulls him back and  takes him under his wing. What Dominick offers isn’t just survival – it’s a new way to see power. 

He teaches Dennis Machiavellian thinking as a tool for a specific, practical purpose: taking down a dangerous  enemy. And it works. But Dominick can’t see what’s happening underneath the strategy. For Dennis, manipulation  stops feeling like a tactic and starts feeling like a superpower – the first time in his life he isn’t the one waiting to be  chosen, waiting to be treated fairly. He can read people’s weaknesses now. He can lead them into traps they never  see. 

He falls in love with the control. What started as a means to an end becomes an identity. Dominick taught him to  think several moves ahead – and unknowingly gave a grieving, resentful man the tools to turn private wounds into  elaborate revenge. 

The Turn 

Nobody becomes a villain in one moment. Dennis is exploited, then betrayed, then taught – by every experience  before Dominick – that kindness is something people take advantage of. After his suicide attempt, Dominick gives  him a new identity built on strategy and control. And somewhere in there, protection curdles into domination. He  murders Milano. He frames Coolie and lets the system finish the job. And in a twist even Dennis doesn’t see coming,  an elderly witch who has been stalking him throughout Ritual III pulls Milano back from the grave and sends her to  him as an undead assassin -After Dennis realizes she’s a gift not a new threat he has the resurrected Milano whack 

Mandy & Gino. Every target genuinely wronged someone – Mandy exploited him, Gabriel betrayed him, Milano  tried to use him, Coolie abused Milano. None of that makes Dennis their judge, and none of it means the story is  done with him yet. 

That’s the line “814” is trying to hold: everyone in this story is accountable. Not everyone is equally accountable.  Dennis remains responsible for what he chose to become, no matter how real the wounds were that got him there. 

What This Is Actually About 

This song isn’t for men who want an excuse. It’s for men who’ve felt used, humiliated, replaced, or discarded by the  people they trusted most – and it’s telling them their pain is real. Being emotionally exploited is real. Having your  kindness read as weakness is real. Getting quietly discarded by someone who needed what you gave them but never  wanted you is real. 

None of that gives anyone ownership over another person. Rejection isn’t automatically betrayal. Pain doesn’t come  with a permission slip to punish, control, or destroy. A man can be a genuine victim in one chapter and still be the  villain of the next – and “814” wants to sit in that discomfort instead of resolving it. 

Dennis’s tragedy isn’t that he was hurt. It’s that he never let that hurt become anything but a weapon. He got addicted  to the one feeling manipulation gave him: never being powerless again. 

If you see yourself anywhere in this story, the message isn’t you were never wronged. It’s this: 

You may have been used. You may have been betrayed. You may have been pushed further than anyone around you  understands. Your pain is real, and it deserves to be heard. But you’re still the one who decides what kind of man  that pain turns you into. 

What’s Next 

Ritual III may be finished, but The Shadow isn’t done. “814” closes on the introduction of Nina – someone with no  ties to Dennis’s revenge, no connection to any of the deaths that came before her. She’s not an epilogue. She’s a door  opening on whatever comes next.

Listen to “814”: scapegoatmusic.com/814-video

 Explore the Ritual III series: scapegoatmusic.com/s-projects-side-by-side

Follow: Instagram · YouTube 

Contact: Thescapegoat92@gmail.com

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